First-Person to Low Angle

The trick is the angle. Hold the phone first for a first-person setup, then drop it low: headlights glowing like two points, black wheels in the corner of frame, pine trunks towering overhead and their light spilling across the road. Track the car through the bend from the side, catch a face leaning out of the window, and wait for dusk, when the headlights become the only light, cutting a tunnel through the green. One phone, a low position, and patience for the shade—and an ordinary forest road starts to feel shot on purpose.